Born in 1949 in Canada, Victor moved to Israel at the age of five. His inclination for the arts was apparent from a very early age. The well known Israeli painter, Giladi, lived on the same street and would often set up his easel outdoors to paint. Victor would watch, spellbound, on his way to and from school as Giladi created wonderful images on the blank canvas.

Eventually, the artist presented Victor with his own box of oil paints and took the time to guide him into a world where expressions come through images and color, handing the child a gift that would soon become a passion.

At eighteen years of age, Second Lieutenant Victor Ostrovsky was the youngest officer in the Israeli armed forces (Navy). He was an ardent Zionist with a fervent commitment to David Ben-Gurion’s founding vision of Israel as one of the greatest and most principled states in the post-War world.

Few families can claim deeper or more honourable Zionist roots, or a more fierce commitment to the creation and defence of the State of Israel than Victor Ostrovsky’s. His grandparents, Haim and Esther Margolin, settled in Palestine in 1912 after fleeing the Russian pogroms, Haim, eventually rising to become Auditor General of the JNF (Jewish National Fund).

Victor’s father, after More then twenty bombing missions over Germany in WWII as a Rear gunner on a Lancaster in the CRAF (Canadian Royal Air Force) – a job that was the closest thing to a suicide mission the war had to offer – commanded an air force base in Israel during and after the Israeli war of Independence; his uncle was a member of the Wolves of Samson a pre independence commando unit, while his mother fought with the Haganah, the Israeli underground, after serving during WWII with the British army.

Victor rose to rank of a lieutenant commander in the Israeli Navy and served as head of the weapon testing program.

It’s not surprising then, that when Victor is invited to train for the Mossad, (Israel’s elite foreign intelligence service) he leaps at the opportunity to serve his country in such an extraordinary way.

The Mossad is probably the most highly trained effective and ruthless organization of its kind, anywhere in the world. In some ways Mossad is a microcosm of the state of Israel: because it is smaller, poorer and more isolated than its enemies, it must unfailingly act smarter, hit harder and be better, than all of them.

A Mossad cadet will experience more action, more pure terror and more physical assault during training than many Special Forces operatives will in the course of an entire career. Training for the Mossad will take Two and a half gruelling years, during which time most candidates will fail. The Mossad famously boasts that it has no compunction in failing 5,000 recruits to find just one. There is no silver medal, no second best, no compromise when it comes to defending the security of the State of Israel.

But through the years of his training and his experiences on subsequent missions, Victor comes to the reluctant but certain realisation that, unaccountable even to the prime minister, a certain element within the Mossad, through callous, irresponsible and increasingly self-motivated actions, rather than defend the interests of the state, were in fact in danger of destroying it.

After five years of trying to inform the powers to be with little success he wrote an exposé “By Way of Deception” that shook the foundations of the agency and is said to have brought about change. Victor has written three more books since, A non fiction “The Other Side of Deception” and two fictional spy novels “Lion Of Judah” and “Black Ghosts.”

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Bordeaux | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Bordeaux”

by: Victor Ostrovsky
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Seated | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Seated”

by: Victor Ostrovsky
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Parallels | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Parallels”

by: Victor Ostrovsky
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Move
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“The Move”

by: Victor Ostrovsky
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House
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“The House”

by: Victor Ostrovsky
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Key
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“The Key”

by: Victor Ostrovsky
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Trap
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“The Trap”

by: Victor Ostrovsky
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Tease
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“The Tease”

by: Victor Ostrovsky
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Stroll
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“The Stroll”

by: Victor Ostrovsky
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Station
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“The Station”

by: Victor Ostrovsky
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Spy Games | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Spy Games”

by: Victor Ostrovsky
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Speakeasy II | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Speakeasy II”

by: Victor Ostrovsky
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Speakeasy I | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Speakeasy I”

by: Victor Ostrovsky
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South Beach | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“South Beach”

by: Victor Ostrovsky
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Simply Red | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Simply Red”

by: Victor Ostrovsky
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Signals | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Signals”

by: Victor Ostrovsky
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Shaken Not Stirred | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Shaken Not Stirred”

by: Victor Ostrovsky
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Secret Garden | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Secret Garden”

by: Victor Ostrovsky
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Salon
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“The Salon”

by: Victor Ostrovsky
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Rumors | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Rumors”

by: Victor Ostrovsky
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Rendezvous At Dawn | Victor Ostrovsky | Painting-Exposures International Gallery of Fine Art - Sedona AZ
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“Rendezvous At Dawn”

by: Victor Ostrovsky
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