"Controlling light is everything in photography. It is the vehicle for creating depth and contrast while enhancing or diminishing detail. By directing the eye of the viewer, it develops and holds the inherent emotion of the image. Acknowledging this, I am naturally attracted to the diffused and impressionistic as well as the luminous and translucent. I enlist water, ice, gelatin, lenses, prisms, mirrors, and chemistry to achieve my looks, pushing each element to coax a little more out of my images."

"Though I love the power of digital, I work hard to create the essence of my images in the studio, not on the computer. The final results are reproduced on painterly canvas and watercolor paper or on the brilliant super gloss Light jets...toward the end I try to make use of any tools that I can find, accept my gifts, and know when to stop." Scott Peck

Scott Peck's work was chosen for cover and feature article in View Camera magazine in the May/June issue in 2001. That is the premier publication covering large format fine art photography.

Scott Peck was selected from an international field of photographers for display in the 2001 Communication Arts Photography Annual. He was one of only 24 winners given a full two page display.

Scott Peck's images were chosen from a finalist field of 700 photographers from an international call-for-entry sponsored by Graphis out of New York for their new Graphis Flora coffee table book on the best of floral photography coming out in late spring of 2002.

Scott Peck has been shown as solo and featured artist in galleries across the country.

Scott Peck was featured in the 2002 AIPAD international fine art photography show in New York City.